The Functional Aesthetic of ‘Kōgei’
The connoisseurship and art historiography of Japanese applied art early twentieth century
This research project explores the aesthetic and art historiography of Japanese applied arts in the early 20th century by examining the associated intellectual exchange, art collection and installation practices within and beyond the circle of the Asian Society in The Netherlands.
About the Project
This research investigates the history of connoisseurship and art historiography about Japanese applied arts in the Netherlands, Germany and Japan. It explores how it evolved and underwent conceptual transformations through material exchanges and cultural, political and aesthetic encounters and negotiations in the early 20th century. There will be a particular focus on Japanese ceramics, including tea wares and porcelain, to explore the interplay of functionality, utility, historical value and the modern aesthetic concept of beauty in the dissemination of knowledge across various media and agencies.
Aim of the Project
This project is part of more extensive research that explores the art historical practice of German-American curator Karl With (1891–1980). His unique viewpoint on functionalism in art envisioned a humanist approach toward art in its broadest sense, encompassing the manifestation of humankind’s creative force in every corner of the world through the ages. He manifested his views in the form of the written word and a museum installation. Karl With’s engagement with European and non-European applied art was significant and decisive in his shaping of the functional approach. This research aims to elucidate his thought processes and understand them in the historical context of art historiography.
Researchers
Marie Yasunaga
m.yasunaga@rijksmuseum.nl
Mellon Fellow
Menno Fitski
Head Asian Department Rijksmuseum
Research Advisor
PARTNERS AND SPONSORS
This Fellowship is made possible by the. Mellon Foundation, and is part of the Rijksmuseum Fellowship Programme.