The Night Watch taken down from wall for final phase of research
Publication date: 03 November 2021 - 08:00
The Night Watch is removed from its usual position on the wall and placed at the front of the transparent glass chamber. This event marks the start of the final stage of the research phase of Operation Night Watch, the largest ever project devoted to the examination and restoration of Rembrandt’s masterpiece. The Night Watch has now been secured in a specially designed holder so that the Rijksmuseum researchers can study the back of this enormous painting. This also offers visitors a rare opportunity over the coming weeks to view the rear of The Night Watch, which will remain on display in this way until 23 November 2021.
Whenever you remove any painting from the wall and its frame, it suddenly looks very vulnerable. This applies equally to The Night Watch, which is just a few centimetres thick. You see the canvas and the timber framework, and they seem so very fragile. All this does mean it’s absolutely thrilling to see the back of the painting, something that is normally impossible.
Taco Dibbits
Support canvas
Visitors viewing the back of The Night Watch will not be seeing the original canvas on which Rembrandt painted. As is the case for many other 17th-century Dutch masterpieces, a so-called ‘support canvas’ has been mounted on the back of The Night Watch, to add firmness to the painted canvas. The support canvas was attached to The Night Watch in 1975, following the infamous knife attack. The timber stretcher dates from the same year.
Shearography
In the first week of November, shearography analysis will be carried out to increase understanding of the extent to which the 46-year-old support canvas is affixed to the original 17th-century canvas on which Rembrandt painted The Night Watch, and to determine whether the bonding between the two canvases is still adequate. This procedure will be conducted in partnership with scientists from Delft University of Technology.
Underlying paint layers
In the second week of November, the researchers will conduct a naked-eye study of the rear of the painting, with the aid of the stereoscopic microscope. During the evenings, they will use a Macro XRF scanner to study the back of the painting, with the aim of adding to existing knowledge about the undermost layers of paint. Once these analyses are complete, on 23 November The Night Watch will be rehung in its original position. The researchers will then carry out tests to determine the best approach to removing the thick overpainting at the edges of The Night Watch. The completion of this work will mark the start of the actual restoration of the painting. More news on this to be announced around mid-December
Operation Night Watch
Operation Night Watch is the biggest and most wide-ranging research and restoration project in the history of Rembrandt’s masterpiece. The project is a collaboration between the Rijksmuseum and AkzoNobel, the museum’s partner for Operation Night Watch. Work started on the project in summer 2019, and takes place in a specially designed, transparent glass chamber, making it possible for the visiting public to follow the process. Operation Night Watch involves the newest and most advanced research technologies and techniques available.
AkzoNobel is the main partner of Operation Night Watch.
Operation Night Watch is also made possible in part by The Bennink Foundation, C.L. de Carvalho-Heineken, PACCAR Foundation, Piet van der Slikke & Sandra Swelheim, American Express Foundation, Familie De Rooij, Het AutoBinck Fonds, TBRM Engineering Solutions, Dina & Kjell Johnsen, Familie D. Ermia, Familie M. van Poecke, Bruker Nano Analytics, Henry M. Holterman Fonds, Irma Theodora Fonds, Luca Fonds, Piek-den Hartog Fonds, Stichting Zabawas, Cevat Fonds, Johanna Kast-Michel Fonds, Marjorie & Jeffrey A. Rosen, Stichting Thurkowfonds, The Night Watch Fund, Familie Van Ogtrop Fonds, the City of Amsterdam and the Amsterdam Museum
Vital support
The Rijksmuseum is grateful for all forms of support it receives. More than ever, it is clear that government subsidies, corporate contributions and support from funds, as well as donations, legacies and Friends are, and will remain, essential to the Rijksmuseum.
