The cult of the Virgin Mary in medieval Italy: art, devotion, and liturgy in Orvieto

Abstract

"Focusing on two fourteenth-century narrative programs in the tribune of Orvieto Cathedral: Giovanni di Bonino's stained-glass window and Ugolino di Prete Ilario's frescoes, this book explores the mysterious allure of the Virgin Mary and the manifestation of her cult in Italy. It shows how the narratives promoted agendas tied to the city's history."-- Provided by publisher.

Contents

Defining Orvieto 1190-1370: Turmoil, Popes, Spiritual matters, and a new cathedral -- The cult of the virgin and the early veneration of Joseph -- History and context : Orvieto and the cult of the Virgin -- The portrayal of Mary and the holy family: Artistic precedents -- The cathedral and its artistic programs 1291-1372 -- Ugolino di Prete Ilario -- Joachim, Anna, and the childhood of Mary -- A new vision of the holy couple -- The infancy of Jesus: Incarnation and hypostatic union -- The Egyptian Sojourn and divine portents -- Out of Egypt into Jerusalem: Disappearance, discovery, and divine revelation -- Gateway to heaven -- Prophecy, fulfillment, witness and theology -- The beatific vision -- Conclusion and legacy.