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Personal impressions: the small printing press in nineteenth-century America

  • Alternate title

    Small printing press in nineteenth-century America


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Abstract

"Printing was the most widespread, and competitive business of nineteenth-century America. Every city had not only its big presses for printing catalogues, books, and newspapers, but also countless smaller presses for printing small jobs - the pamphlets, posters, handbills, stationery, cards, and tickets that gave the century so much of its color. Several of the names we now count as giants of the publishing industry: Scribner, Doubleday, George Houghton of Houghton Mifflin, and Donald Brace of Harcourt Brace started out not as publishers but as small-job printers, running their own shops and working humble, everyday, manually operated presses. This complete, definitive, and richly illustrated survey of small nineteenth-century printing presses, written by a former curator at the Smithsonian Institution, is the first history of these lovely, useful, and prodigiously varied machines. There was, in those days, a small printing press for every purpose. And there were innumerable boys and men eager to make their fortunes by investing in one, printing for a local clientele, and, with luck, building a printing or publishing empire. What the desktop computer is to today, these small iron workhorses were to the nineteenth century, and this book, which catalogues, describes, and illustrates over a hundred small printing presses and their makers, giving machine specifications as well as patent information, is a mine of previously undocumented printing history. No one seriously interested in the story of American printing can afford to be without it."--Publisher's description.

Contents

Small presses in a big trade : a survey -- A note on the rail presses -- Glover Snow's 'History of small presses' -- Kelsey's own story -- Catalogue of small presses.

Contributors


Publisher

  • Publication

    • Boston: David R. Godine
    • London: The Merrion Press, 2004
  • Year


Is about

  • Subject

  • Period

    1800-1899


Type

  • Language


Classification

  • ISBN

    • 0903560267
    • 9781567922684

Annotations / title notes

  • Notes

    "Personal Impressions is set in Monotype Bell, a traditional face related to the French designs of Didot and Fournier, first cut by Richard Austin, a professional engraver, and employed by John Bell of London. Used frequently by both D.B. Updike and Bruce Rogers in the early twentieth century, it was recut in 1930 under the supervision of Stanley Morison, to provide designers with a sturdy but elegant face for general book work. The book is printed on Torchglow, an entirely acid-free sheet, by Friesen's Printers of Altona, Manitoba."--Title page verso.


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