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Maurice Marinot: the glass 1911-1934


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Abstract

"This is the first English-language volume on Maurice Marinot (1882-1960), a pioneer in the development of glass as a studio art form. Initially a member of the Fauves, in 1911 Marinot visited the glassworks of the Viard brothers at Bar-sur-Seine, a catalytic moment that led to an all-encompassing passion for glass. Marinot quickly began designing bowls, vases and bottles, which his friends would produce for him to paint, using enamels. By 1913 critics were praising his work: 'It has been a long time since an innovation of such great importance has come to enrich the art of glass' wrote Leon Rosenthal. From that year Marinot ceased exhibiting his paintings and learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf and colored glass. This book reveals his accomplishment for a wider audience."--Artbook website

Contents

Hand to hand combat / Pasquale Gagliardi -- Marinot in Venice, finally / Olivier Gabert -- Maurice Marinot : Techniques, inventions, creations / Jean-Luc Olivié -- Maurice Marinot : A European perspective / Cristina Beltrami -- The French networks of Maurice Marinot / Véronique Ayroles -- Maurice Marinot, an artisan and a demiurge of matter / Rossella Froissart -- Maurice Marinot in America / Jared Goss -- Pensées sur le Verre : Thoughts about glass / Maurice Marinot -- Chrono-biography.

Contributors


Publisher

  • Publication

    Milano: Skira, 2019

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Classification

  • ISBN

    • 8857240479
    • 9788857240473

Annotations / title notes

  • Notes

    • Catalog of an exhibition at Le Stanze Del Vetro, San Giorgio Maggiore, from March 25-July 28, 2019
    • Le stanze del vetro = a joint initiative of Fondazione Giorgio Cini and Pentagram Stiftung. --- "Maurice Marinot the glass 1911-1934" = a cooperation of the Musée des Arts décoratifs, Paris and Le stanze del vetro. --- Exhibition organized by Le stanze del vetro, island of San Giorgio Maggiore, Venice. Curated by Jean-Luc Olivié and Cristina Beltrami.

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