View of S. Teodoro in Rome

Jan Asselijn, c. 1645 - c. 1646

  • Artwork typedrawing, design
  • Object numberRP-T-1969-14
  • Dimensionsheight 186 mm x width 252 mm
  • Physical characteristicspoint of brush and black ink, with grey wash, over graphite; outlines indented for transfer; framing line in black ink, in parts over black chalk; verso: lightly blackened for transfer

Identification

  • Title(s)

    View of S. Teodoro in Rome

  • Object type

  • Object number

    RP-T-1969-14

  • Part of catalogue


Creation

  • Creation

    draftsman (artist): Jan Asselijn, Paris (possibly)

  • Dating

    c. 1645 - c. 1646

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Material and technique

  • Physical description

    point of brush and black ink, with grey wash, over graphite; outlines indented for transfer; framing line in black ink, in parts over black chalk; verso: lightly blackened for transfer

  • Dimensions

    height 186 mm x width 252 mm


Explanatory note

  • In de 17de eeuw noemde men deze kerk, zoals uit het onderschrift blijkt, nog ten onrechte de tempel van Marsus Cursus (Marcus Curtius). [Schatborn 2001]. Ontwerptekening voor een prent.


This work is about

  • Subject

  • Place


Acquisition and rights

  • Acquisition

    purchase 1968

  • Copyright

  • Provenance

    …; sale, W. Pitcairn Knowles (1820-94), Rotterdam and Wiesbaden (L. 2643), Amsterdam (F. Muller), 25 June 1895, no. 12 with pendant, fl. 42 to Peter Vischer-Burchardt (1869-1947), Basel and Schloss Wildenstein, near Basel;{Copy RMA.} …; sale, Anton Wilhelmus Mari Mensing (1866-1936, Amsterdam), Amsterdam (F. Muller), 27 April 1937 _sqq._, no. 8 with pendant, fl. 40, to Willy van der Mandele (Bloemendaal) (?);{Copy Fondation Custodia, Paris & Notes Morgan Library Museum, New York.} Mrs A.C.R. van de Mandele-Vermeer, Bloemendaal; her sale, Amsterdam (Mak van Waay), 17 December 1968 sqq, no. 238a with pendant, fl. 2,350, to the dealer Colnaghi, London;{Colnaghi 1969.} from whom, fl. 1,455, to the museum, 1969.

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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