The Adoration of the Shepherds

etching and drypoint, second state of eleven, c. 1657

The adoration of the shepherds has often been depicted in graphic art. Rembrandt’s version is exceptional for the extreme rendering of the nocturnal gloom in the stable. To achieve this velvety darkness, he successively reduced the light in subsequent states. In this impression, he intensified the shadow around Joseph, so that only his book and the faces of Mary and the Christ Child are still illuminated.

  • Artwork typeprint
  • Object numberRP-P-1992-14
  • Dimensionsheight 150 mm x width 199 mm
  • Physical characteristicsets, droge naald en burijn, met plaattoon