Sleeping Shepherd with Four Sheep

Simon van der Does, 1663 - 1718

  • Artwork typedrawing
  • Object numberRP-T-1954-85
  • Dimensionsheight 144 mm x width 202 mm
  • Physical characteristicspen and brown ink, with brown wash

Identification

  • Title(s)

    Sleeping Shepherd with Four Sheep

  • Object type

  • Object number

    RP-T-1954-85

  • Part of catalogue


Creation

  • Creation

    • draftsman (artist): Simon van der Does
    • draftsman (artist): Jacob van der Does (I) [rejected attribution]
  • Dating

    1663 - 1718

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Material and technique

  • Physical description

    pen and brown ink, with brown wash

  • Dimensions

    height 144 mm x width 202 mm


This work is about

  • Subject


Acquisition and rights

  • Acquisition

    purchase 1954

  • Copyright

  • Provenance

    …; sale, Lambert ten Kate (1674-1731, Amsterdam), Amsterdam (I. Tirion), 16 June 1732 sqq., Album P, no. 13 (‘Een Schaepherder slapende terwyl zyn Vee wat loof plukt: met de Pen en met roet gewasschen; door V.d.Does.’), fl. 3;{Cf. H. Miedema (ed.), _Kennerschap en de ideale schoonheid. Lambert ten Kate over de tekeningen in zijn verzameling_, Amsterdam 2012, p. 160, based on an annotated copy in the Fondation Custodia, Paris.} …; collection Van Puten (d. c. 1829), Paris (L. 2058);{Not in his sale, Paris (Duchesne/Bonnefons) 14 December 1829 sqq.; probably sold during his lifetime.} …; collection Jean-Baptiste-Florentin-Gabriel de Meyran, Marquis de Lagoy (1764-1829), Aix-en-Provence (L. 1710); ? his sale, Paris (A.-F. Pieri-Bénard), 17 April 1834 sqq., no. 205 (‘Plusiers dessins par Flinck, Koningh, Lerientals, Overbeck, Pinas, Pronk, Waterloo, etc., qui seront vendus en plusiers lots’), fl. 29.50;{Copy RKD.} ; ? anonymous sale, Brussels (Palais des Beaux-Arts), 23 May 1938 sqq., no. 239;{Copy RMA.}…; sale, Dr Henderik Catharinus Valkema Blouw (1883-1953, Bodegraven), Amsterdam (F. Muller), 2 March 1954 sqq., no. 120, fl. 160, to the museum (L. 2228)

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


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