Portrait of Johanna le Maire (c. 1601-60)

Nicolaes Eliasz Pickenoy, c. 1622 - c. 1629

Nicolaes Eliasz, named Pickenoy (1588 - 1650/56). Johanna Le Maire, wife of Pieter van Son, 1622. Purchase made possible by the SponsorBingo Lottery.

  • Artwork typepainting
  • Object numberSK-A-4957
  • Dimensionssupport: height 105.2 cm x width 77.7 cm, outer size: depth 8.5 cm (support incl. frame)
  • Physical characteristicsoil on panel

Identification

  • Title(s)

    Portrait of Johanna le Maire (c. 1601-60)

  • Object type

  • Object number

    SK-A-4957

  • Description

    Portret van Johanna Le Maire, sedert 1622 echtgenote van Pieter van Son. heupstuk, staande, handschoenen in de rechterhand. Linksboven het familiewapen. Pendant van SK-A-4956.

  • Inscriptions / marks

    • date, top right: ‘162[.]’
    • coat of arms, top left: quartered, 1 and 4: three black Moor’s heads on a silver field, 2: three gold boar’s heads on a red field, 3: three rows of black ermine tails on a gold field
  • Part of catalogue


Creation

  • Creation

    painter: Nicolaes Eliasz Pickenoy

  • Dating

    c. 1622 - c. 1629

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Material and technique

  • Physical description

    oil on panel

  • Dimensions

    • support: height 105.2 cm x width 77.7 cm
    • outer size: depth 8.5 cm (support incl. frame)

This work is about

  • Person

  • Subject


Exhibitions


Acquisition and rights

  • Credit line

    Purchased with the support of the BankGiro Lottery

  • Acquisition

    • purchase 1974
    • purchase 2000
    • interne vervaardiging 1974
    • interne vervaardiging 2000
  • Copyright

  • Provenance

    **For both the present painting (SK-A-4957) and its pendant (SK-A-4956)**

    …; sale, Edward Georg Coles (Pebble Combe, Headley, Epsom, and subsequently Tumber House, Headley), London (Christie’s), 19 November 1962, no. 27;…; anonymous sale, London (Christie’s), 14 April 1978, no. 100, £ 7,500;…; anonymous sale, London (Christie’s), 14 December 1990, no. 117;…; private collection, Turin;{Note RMA.}…; sale, London (Christie’s), 7 July 2000, no. 15, to the museum

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation

    • B. du Mortier, 'Uniek ensemble herenigd', in: Jaarverslag Rijksmuseum Amsterdam, Amsterdam 2000, p. 74-75, afb.
    • M. van Melle, 'Tegen de monopolisten van de VOC', Ons Amsterdam 2 (2007), p.72.

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