? Commissioned, with three other paintings, by Jacob de Flines (1657-1714), Herengracht 132, Amsterdam, c. 1683;{Note RMA; Van Eeghen et al. 1976, p. 441.} his daughter, Elisabeth de Flines, with the house at Herengracht 132, Amsterdam; her children and granddaughter, with the house at Herengracht 132, Amsterdam; from whom, fl. 36,300, with the house at Herengracht 132, Amsterdam to Joan Scherenbergh (1680-1753); his daughter, Maria Scherenbergh (1709-63), with the house at Herengracht 132, Amsterdam; her son, Joan Frederik d'Orville (1732-1809), with the house at Herengracht 132, Amsterdam; purchased by Robert Daniel Crommelin (1741-1808), with the house at Herengracht 132, Amsterdam; his son, Claude Crommelin (1769-1824), with the house at Herengracht 132, Amsterdam; his son, Claude Daniel Crommelin (1795-1860), with the house at Herengracht 132, Amsterdam; his son, Claude August Crommelin (1840-74),with the house at Herengracht 132, Amsterdam; his stepsister, Elisabeth Maria Weymar (?-1902), and her husband, Julius Hendrik Tutein Nolthenius (1824-89), with the house at Herengracht 132, Amsterdam; their daughter, Alida Maria Tutein Nolthenius (1855-1910), and her husband, Ir. Rudolph Peter Johann Tutein Nolthenius (1851-1939), with the house at Herengracht 132, Amsterdam; by whom removed from the house, before 1910; from whom on loan to the Rijks Academie voor beeldende kunsten te Amsterdam, 1921; by whom donated to the Rijks Academie voor beeldende kunsten, Amsterdam, 1929;{Provenance 1683-1929 reconstructed in Van Eeghen et al. 1976, p. 441.} transferred to the museum, 1971
