Four Studies of an Amputated Human Right Arm

attributed to Jacques de Gheyn (II), c. 1615

  • Artwork typedrawing
  • Object numberRP-T-1957-258
  • Dimensionsheight 232 mm x width 360 mm
  • Physical characteristicsblack chalk

Identification

  • Title(s)

    Four Studies of an Amputated Human Right Arm

  • Object type

  • Object number

    RP-T-1957-258

  • Part of catalogue


Creation

  • Creation

    draftsman (artist): attributed to Jacques de Gheyn (II), Leiden (possibly)

  • Dating

    c. 1615

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Material and technique

  • Physical description

    black chalk

  • Dimensions

    height 232 mm x width 360 mm


This work is about

  • Subject


Acquisition and rights

  • Credit line

    Gift of the Fondation Custodia

  • Acquisition

    gift 1957

  • Copyright

  • Provenance

    Possibly from the estate of Jacques de Gheyn III and acquired from his cousin and heir, Nicolaes den Otter (?-?), Amsterdam, by Joannes Wtenbogaert (1608-1680), Amsterdam; by descent to Jan van Gheel (1667 - 1757) and Jacob van Gheel (1670 - 1721), Amsterdam; ? sale Jacob van Gheel, Amsterdam (J. P. Zomer), 22 January 1722; ? collection Jan Pietersz Zomer (1641-1724), Amsterdam; his sale Amsterdam (J. van Zutphen & G. Hol), 5 April 1725;…; ? Dutch private collection; Paul Brandt, Amsterdam;{C. van Hasselt and M. van Berge-Gerbaud, _Le Héraut du dix-septième siècle. Dessins et gravures de Jacques de Gheyn II et III de la Fondation Custodia, Collection Frits Lugt_, exh. cat. Paris, Institut Néerlandais / Fondation Custodia, Paris 1985, under no 13; K.G. Boon, _The Netherlandish and German drawings of the XVth and XVIth centuries of the Frits Lugt collection_, coll. cat. Paris (Fondation Custodia) 1992, under no. 84.} Frits Lugt (1884-1970), Paris; by whom gifted to the museum (L. 2228), 1957

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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