Christ on the Cold Stone

copy after Gerard van Honthorst, after c. 1614

Christus op de koude steen. Christus zittend op een bankje, doornenkroon op het hoofd. Links een brandende kaars. Kopie naar de bespotting van Christus door Honthorst uit ca. 1614 in het Gettymuseum in Malibu.

  • Artwork typepainting
  • Object numberSK-A-3569
  • Dimensionssupport: height 134.5 cm x width 99.3 cm, outer size: depth 9 cm (support incl. frame)
  • Physical characteristicsoil on canvas

Identification

  • Title(s)

    • Christ Seated on a Stone Block (former title)
    • Christ on the Cold Stone
  • Object type

  • Object number

    SK-A-3569

  • Description

    Christus op de koude steen. Christus zittend op een bankje, doornenkroon op het hoofd. Links een brandende kaars. Kopie naar de bespotting van Christus door Honthorst uit ca. 1614 in het Gettymuseum in Malibu.

  • Part of catalogue


Creation

  • Creation

    • painter: copy after Gerard van Honthorst
    • painter: Georges de La Tour [rejected attribution]
  • Dating

    after c. 1614

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Material and technique

  • Physical description

    oil on canvas

  • Dimensions

    • support: height 134.5 cm x width 99.3 cm
    • outer size: depth 9 cm (support incl. frame)

This work is about

  • Subject


Acquisition and rights

  • Acquisition

    • purchase 1948-12
    • purchase 2015-08-11
    • interne vervaardiging 1948-12
    • interne vervaardiging 2015-08-11
  • Copyright

  • Provenance

    …; Prof. Fiorentini, Rome, 1947;{RMA Archive, Cassirer, P., letter 24 November 1947.} from whom, fl. 2,170, as Georges de la Tour, to the museum, through the mediation of G.J. Hoogewerff, 1948

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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