Shizen to hito no daiarōgu: Furīdorihi, Mone, Gohho kara Rihitā made : Kokuritsu Seiyō Bijutsukan rinyūaru ōpun kinen

Uittreksel

"To commemorate the post-renovation reopening of the National Museum of Western Art, Tokyo, we offer an exhibition that traces the development of modern art born out of the dialogue between nature and humankind. The event has been realized in collaboration with the Museum Folkwang in Essen, Germany. Both institutions were founded on private collections: that of Karl Ernst Osthaus (1874-1921) in the one case and Matsukata Kojiro (1866-1950) in the other. As we can see, these two men were near contemporaries. Earlier in the year, modern artworks from the Matsukata Collection and the Osthaus Collection were brought together for another showing in Germany, Renoir, Monet, Gauguin: Images of a Floating World (6 February-15 May 2022, Museum Folkwang). The present exhibition, In Dialogue with Nature, comprises works collected from the museums earliest beginnings down to the present day: paintings, drawings, prints, and photographs, spanning from German Romanticism to the art of the twentieth century (with Impressionism and Post-Impressionism at the core). It sets out to explore how sensibility to nature has contributed to the development of artistic expression in the modern era. The transition from the nineteenth to the twentieth centuries was accompanied by rapid modernization in many fields: industry, society, science. Artists, looking at nature with new knowledge and an altered gaze, created a diverse range of works in response to this always fertile source of inspiration. Some leapt from the studio into the light of the open air, attempting to grasp the ephemeral moment; others, in the pursuit of an eternal vision of nature, relied on their own insights or experimented with innovative forms. Certain works chose cycles of nature on which to project human endeavors."-- Preface (page [5]).