Reshaping the field: arts of the African diasporas on display

Inhoud

Introduction: Reshaping the field / Nana Adusei-Poku -- Art, museums and the fear of a black planet / Bridget R. Cooks -- Marginalized legacies and networks -- Introduction to marginalized legacies and networks / Richard J. Powell -- Mapping art history at the Atlanta University Center / Cheryl Finley -- Fisk University Galleries / Jamaal B. Sheats -- Paving the way: exhibition history of African American Art as the Howard University Gallery of Art / Abby R. Eron -- Between inclusion and making space -- Insisting on inclusion and making space downtown / Howard Singerman -- Revisiting Exhibiting Blackness: African Americans and the American art museum / Brittany Webb -- More than preamble: anticipating 'Two centuries of Black American art' / Julie L. McGee -- Ruptures -- 'Freestyle': how Post-Black ruptured Black art / Nana Adusei-Poku -- Does the plantation end when the market begins? Personal reflections and more than a few questions in personal and public practice post-'Freestyle' / Senam Okudzeto -- Blackness on display: on racial fetishism and the right to opacity / Derek Conrad Murray -- Dialogics of diaspora -- Moving images, exhibition histories: Dreaming Rivers and Handsworth Songs / Lucy Steeds -- The afterlives of 'Transforming the crown': Black British art and the survey exhibition / Mora J. Beauchamp-Byrd -- Finding the room next to mine / Marlene Smith in conversation with Claudette Johnson -- Curating Black futures -- Black girl: a plot and a promise / Amber Esseiva -- Creating the histories we think we'll need: thoughts on Black futurity / Brittany Webb -- No real closure: curating Black futures now / Languid Hands (Imani Mason Jordan and Rabz Lansiquot) -- Harmattan Dust / Serubiri Moses -- Roundtable conversation: curating Black futures now / Nana Adusei-Poku, Amber Esseiva, Languid Hands (Imani Mason Jordan and Rabz Lansiquot), Serubiri Moses and Brittany Webb.