Jheronimus Bosch: his workshop and his followers : 5th international Jheronimus Bosch Conference, May 11-13, 2023, Jheronimus Bosch Art Center, 's-Hertogenbosch, The Netherlands

Uittreksel

"Jheronimus Bosch remains an exceptionally popular painter and draughtsman. His death (in 1516) was commemorated five years ago with major exhibitions in 's-Hertogenbosch and in Madrid, which together drew well over one million visitors, an astonishing success. The scholarly interest in the master from 's-Hertogenbosch has often focused on the often-peculiar iconography of some of his works, which historians of art have tried to explain and decipher since the late 19th century. Ever since the literature on Bosch has grown exponentially, and that is still the case today. For any serious discussion of these paintings and drawings, whether focused on iconography, Bosch's patrons, or his socioeconomic position in his hometown of 's-Hertogenbosch, the precise definition of the boundaries of the oeuvre and the creation of a reliable chronology of these works remains a critically important foundation. The conference Defining boundaries: Jheronimus Bosch, his workshop, and his followers was supported by the Jheronimus Bosch Art Center, the City of 's Hertogenbosch, Het huis van Bosch, and Radboud University Nijmegen. Conference Committee: Prof.dr Ron Spronk (chair), prof.dr Jos Koldeweij, and dr Eric De Bruyn. Defining boundaries: Jheronimus Bosch, his workshop, and his followers (2023) was the fifth international conference organized at the Jheronimus Bosch Art Center (JBAC)." -- Provided by publisher.

Inhoud

Jheronimus Bosch and the Renaissance in Europe / Bernard Aikema -- Bosch's Earthly Paradises: the left panels of the Garden of Earthly Delights, the Vienna Last Judgement and the Haywain / Jasmijn van Benthum -- A novel reading for the Garden of Earthly Delights: from new evidence in the image to a political narrative interpretation (the ABC hypothesis) / Manuel Berdoy -- Mandijn's Monsters: Shining a light on the techniques and motifs of a Bosch follower / Kathryn Harada and Abbie Vandivere -- The link between Bosch and Bruegel: Pieter Coecke's workshop as intermediary / Astrid HobillIn the Manner of Jan Wellens de Cock? A Study of the Chimei Museum's Christ in Limbo / Yu Han Hsu -- Four of the Triptychs by Jheronimus Bosch as 'exempla iustitiae' and Albrecht Dürer's 'gross Beth' / Jos Koldeweij -- Jheronimus Bosch, Observations on his painting style / Fritz Koreny -- Listening to the angels... or why the Last Judgement from the collection of the Wawel Royal Castle in Cracow was not painted by Jheronimus Bosch / Grzegorz Kubies -- 'A Rose by Any Other Name': Connoisseurship and Questions of Attribution in Jheronimus Bosch's Haywain Triptych / Marie-Eve Lafontaine -- With the 'Rockman' from 'Bosch' to 'Van Oostsanen' / Meinhard Michael -- Facing the end of time. The work of Jheronimus Bosch considered in the context of apocalyptic eschatology and the reform movements / Frans Nies -- The Dream of Raphael or The Allegory of Human Life by Giorgio Ghisi and its pictorial copies: the success of a motif 'd'après Bosch' in the second half of the sixteenth century / Claudio Salsi -- The painters Jan Claessoen and Ghysbrecht Tyssoen Hoeyen; specialised employees of Jheronimus Bosch? / Loes Scholten -- The Vienna Last Judgement revisited: The underdrawings / Ron Spronk -- The Vienna Last Judgement revisited: Notes on comparing paintings / Luuk Hoogstede -- Family functions: reviewing the Van Aken workshop / Dorien Tamis -- Between Bosch and Bruegel. Catalepton ('Trifles') What links the engravings Saint Martin after Jheronimus Bosch and Hope after Pieter Bruegel the Elder? / Joanna A. Tomicka -- Bosch Imitators in Spain during the sixteenth and seventeenth centuries / Elena Vázquez Dueñas -- Filling the void. Copies of Bosch's Ecce Homo / Marieke van Wamel -- Bosch's Saint-Germain-en-Laye Conjurer: Autograph, Workshop or Follower? Can the Unrecognized Subject Determine Authorship? / Diana Withee