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Panorama of the Bay and Cities of Anzio and Nettuno / Verso: Sketches of Anzio, a Fountain and a Boat
Caspar van Wittel, c. 1674 - c. 1736
- Artwork typedrawing
- Object numberRP-T-1960-208(R)
- Dimensionsheight 280 mm (four sheets of paper joined together) x width 1225 mm
- Physical characteristicspen and brown ink, with grey wash, over traces of graphite
Identification
Title(s)
Panorama of the Bay and Cities of Anzio and Nettuno / Verso: Sketches of Anzio, a Fountain and a Boat
Object type
Object number
RP-T-1960-208(R)
Part of catalogue
Creation
Creation
draftsman (artist): Caspar van Wittel, Anzio
Dating
c. 1674 - c. 1736
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Material and technique
Physical description
pen and brown ink, with grey wash, over traces of graphite
Dimensions
height 280 mm (four sheets of paper joined together) x width 1225 mm
This work is about
Subject
Place
Acquisition and rights
Acquisition
purchase 1960
Copyright
Provenance
…; collection Bartolomeo Cavaceppi (1716-1799), Rome;{G. Briganti, _Gaspar van Wittel e l’origine della veduta settecentesca_, Rome 1966, no. D6.} by whom bequeathed to the Accademia di S. Luca, Rome (later dispersed), 1799; from which acquired _en bloc_ with all other drawings dispersed from the academy’s collection by Vincenzo Pacetti (1746-1820), Rome, 1801;{K. Cassirer, ‘Die Handzeichnungen Pacetti’, Jahrbuch der Preussischen Kunstsammlungen, XLIII (1922), pp. 63-69; and G. Briganti, _Gaspar van Wittel e l’origine della veduta settecentesca_, Rome 1966, no. D7. According to L. 2057, Pacetti bought the collection of drawings in 1805.} his son, Michelangelo Pacetti (1793-after 1855), Rome and Naples; ? with group of forty drawings by or attributed to the artist sold by him to Gustav Waagen (1794-1868) for the Kupferstichkabinett, Berlin (disappeared during World War II); …; to the dealer Paul Fatio (L. 3701), Geneva, mid-1950s; his sale, Geneva (N. Rauch), 13 June 1960 _sqq_., no. 392, to the dealer B. Houthakker;{Copy RMA.} from whom, fl. 1200, to the museum (L. 2228), 1960
Remarks
Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
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