Cattle in front of the Porta Sant’Angelo in Tivoli

Willem Romeyn, after 1660

Italianiserend landschap bij Tivoli, Porta Sant'Angelo, met koeien en de tempel van de Sibylle op de achtergrond.

  • Artwork typedrawing
  • Object numberRP-T-1993-50
  • Dimensionsheight 207 mm x width 320 mm
  • Physical characteristicspoint of brush and grey ink, with grey wash, over black chalk; framing lines in black chalk and brown ink (discoloured)

Identification

  • Title(s)

    Cattle in front of the Porta Sant’Angelo in Tivoli

  • Object type

  • Object number

    RP-T-1993-50

  • Description

    Italianiserend landschap bij Tivoli, Porta Sant'Angelo, met koeien en de tempel van de Sibylle op de achtergrond.

  • Inscriptions / marks

    signature: ‘WR(ineen)omeyn’

  • Part of catalogue


Creation

  • Creation

    draftsman (artist): Willem Romeyn, Haarlem (possibly)

  • Dating

    after 1660

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Material and technique

  • Physical description

    point of brush and grey ink, with grey wash, over black chalk; framing lines in black chalk and brown ink (discoloured)

  • Dimensions

    height 207 mm x width 320 mm


Acquisition and rights

  • Acquisition

    purchase 1993-11-16

  • Copyright

  • Provenance

    …; collection Christiaan Josi (1768-1828), Amsterdam (L. 2925bis); …; collection Herman Gerlings Czn (1816-88), Haarlem;{According to the catalogue for the sale, William Pitcairn Knowles, Amsterdam (F. Muller), 25 June 1895 _sqq_., no. 548.} his sale, Amsterdam (C.F. Roos & Cie), 2 October 1888 _sqq_., no. 99, fl. 26, to the dealer F. Muller, Amsterdam;{Copy RKD.} …; sale, William Pitcairn Knowles (1820-94, Rotterdam and Wiesbaden), Amsterdam (F. Muller), 25 June 1895 _sqq_., no. 548, fl. 12, to the dealer F. Muller, Amsterdam;{Copy RKD.} …; with the dealer P. Brandt, Amsterdam, 1955;{According to the catalogue for the Butôt sale, Amsterdam (Sotheby’s), 16 November 1993, p. 17} …; bequeathed by Franziskus Cornelius Butôt (1906-92), Amsterdam and St Gilgen, Austria, to the museum (L. 2228), 1993

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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