An Italianate Landscape with an Unidentified Subject from the Old Testament

Cornelis van Poelenburch (mentioned on object), c. 1620 - c. 1627

Italianiserend landschap met een oudtestamentisch onderwerp. Weids landschap met hier en daar heuvels met bouwwerken en met links en rechts herders met vee. In het midden staan drie hoofdfiguren voor een kudde schapen.

  • Artwork typepainting
  • Object numberSK-A-4825
  • Dimensionssupport: height 22 cm x width 33.4 cm, outer size: depth 3 cm (support incl. frame)
  • Physical characteristicsoil on copper

Identification

  • Title(s)

    • An Italianate Landscape with an Unidentified Subject from the Old Testament
    • Jesse presenting his son David to the prophet Samuel (former title)
  • Object type

  • Object number

    SK-A-4825

  • Description

    Italianiserend landschap met een oudtestamentisch onderwerp. Weids landschap met hier en daar heuvels met bouwwerken en met links en rechts herders met vee. In het midden staan drie hoofdfiguren voor een kudde schapen.

  • Inscriptions / marks

    signature, lower left, on a rock, with monogram: ‘C·P·F’

  • Part of catalogue


Creation

  • Creation

    painter: Cornelis van Poelenburch (mentioned on object)

  • Dating

    c. 1620 - c. 1627

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Material and technique

  • Physical description

    oil on copper

  • Dimensions

    • support: height 22 cm x width 33.4 cm
    • outer size: depth 3 cm (support incl. frame)

This work is about

  • Subject


Acquisition and rights

  • Acquisition

    • purchase 1983
    • interne vervaardiging 1983
  • Copyright

  • Provenance

    …; sale, Marguerite Helen, Countess Nelson, née O’Sullivan (?-1969), London (Sotheby’s), 30 April 1958, no. 61, as _Joseph Relating his Dreams to the Shepherds_, £ 60, to Thornton;…; anonymous sale (†), London (Phillips), 10 May 1983, no. 67, as _The Young David Meeting with Isaiah and Saul_, £ 6,500, to S. Nystad Oude Kunst, The Hague; from whom, fl. 125,000, to the museum, 1983

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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