View of the Capitoline Hill in Rome, Seen from the East

Jan Asselijn (possibly), c. 1636 - c. 1640

Het Capitool te Rome, over het Campo Vaccio gezien. Op de voorgrond drie zuilen van de tempel van Castor en Pollux. Rechts op de achtergrond de kerk van S. Maria in Aracoeli. Daaronder de boog van Septimus Severus, de kerk van S. Giuseppe dei Falegnami, en meer naar rechts de top van de gevel van het gebouw van de Curia.

  • Artwork typedrawing
  • Object numberRP-T-1966-60
  • Dimensionsheight 259 mm x width 392 mm
  • Physical characteristicsblack chalk, with two shades of greyish-brown wash; framing line in black ink (partially trimmed)

Identification

  • Title(s)

    View of the Capitoline Hill in Rome, Seen from the East

  • Object type

  • Object number

    RP-T-1966-60

  • Description

    Het Capitool te Rome, over het Campo Vaccio gezien. Op de voorgrond drie zuilen van de tempel van Castor en Pollux. Rechts op de achtergrond de kerk van S. Maria in Aracoeli. Daaronder de boog van Septimus Severus, de kerk van S. Giuseppe dei Falegnami, en meer naar rechts de top van de gevel van het gebouw van de Curia.

  • Part of catalogue


Creation

  • Creation

    draftsman (artist): Jan Asselijn (possibly), Rome (possibly)

  • Dating

    c. 1636 - c. 1640

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Material and technique

  • Physical description

    black chalk, with two shades of greyish-brown wash; framing line in black ink (partially trimmed)

  • Dimensions

    height 259 mm x width 392 mm


This work is about

  • Subject

  • Place


Acquisition and rights

  • Acquisition

    purchase 1966

  • Copyright

  • Provenance

    …; sale, William Stourton, 22nd Baron Stourton, 26th Baron Segrave and 25th Baron Mowbray (1895-1965) et al. [section Mrs J.J.F. Geffers], London (Sotheby’s), 1 July 1965, no. 175, as Jan Asselijn, £45, to the dealer Lodewijk Arnold Houthakker (1926-2008), Amsterdam;{Copy RMA.} from whom, fl. 1,000.00, to the museum (L. 2228), 1966

  • Remarks

    Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.


Documentation


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